For centuries, civilizations have evolved, yet gender injustice has persisted and even been normalized. Feminism stems from the desire to be treated equally as men: politically, socially and economically. Yet, many people still view it as a threat, equating it with misandry. This raises the question: Why does modern society continue to resist true equality? Would treating women with the same respect as men threaten masculinity? Or is it an act of subconsciously protecting its fragility?

Adichie proceeds to shove masculinity in the front-row seat. Why is male ego so fragile in the first place? Men are burdened with societal expectations to provide, to be stable and to exert dominance. If these traits are truly in their nature, the need to control and oppress women wouldn't be necessary. Yet, society continues to subject women to cater their fragile ego and reinforce patriarchal values. In an economy where all genders are expected to contribute to the household income, should we really be concerned if women are more successful than men?

Marriage is another topic Adichie tackles. The pressure for women to marry by a certain age is a universal problem. Failing to do so is often seen as a personal failure, turning women into objects of ridicule and criticism. Why is a woman’s worth still measured by her marital status, rather than her accomplishments or happiness?

The resistance to implementing true equality is both barbaric and regressive—clinging to outdated hierarchies instead of progressing as a society.

OVERALL REVIEW

Everyone should read this book. I have been to some of these situations and conversations myself. I'm sure a lot of women have. We Should All Be Feminists validates and reiterates the inequality women face on a regular basis. Several anecdotes hits close to home. Adichie delivers a brief yet powerful narrative that highlights deep-seated inequalities, particularly how internalized misogyny is ingrained among all genders.

That said, while this book offers a thought-provoking introduction to feminism, it is largely anecdotal. For those already familiar with feminist discourse, it may not provide entirely new insights. Rather than offering an in-depth analysis, it serves as a concise and engaging reflection on gender inequality.

The story follows Tobias Finch, a quiet, ancient man who lives in the woods, and Henry Silver, a young and curious lord who takes an interest in both Tobias and the strange magic surrounding his home. The plot unfolds gently. There’s an underlying conflict tied to old myths, curses, and Tobias’s past, but much of the tension comes from the interactions between characters rather than external threats.

Tobias is an intriguing character—stoic, deeply tied to the forest, and reluctant to engage with the world beyond it. Silver, on the other hand, is bright, eager, and full of curiosity. Their dynamic is compelling, but I found myself pausing when I realized Silver is only 23 while Tobias is over 400 years old. The age gap, while common within the folklore-inspired narrative, in a modern reading context, it feels a bit unsettling.

Tobias Finch is a gentle giant in the middle of the forest minding his business for centuries. While his character is intriguing in the sense that he's deeply connected to the forest and has lived a solitary existence, there's not really much of an arc to him. He remains a stoic, quiet figure throughout the book, and while that is realistic given his long life and detachment from the world, it’s also quite disappointing as a reader.

We see him react to Henry Silver’s curiosity and the unfolding events, but we don’t get a deeper sense of his growth or change. He feels almost like a static force of nature, and for a character who’s been alive for hundreds of years, I expected some personal evolution or inner conflict. His lack of an arc leaves him somewhat distant, even at the face of danger (i.e. Silver getting kidnapped right before his eyes) and I found it harder to connect with him, especially in contrast to Silver, whose curiosity and development make him feel more dynamic and relatable.

Henry Silver, on the other hand, is an eager young lord whose actions drive much of the plot. From the moment he encounters Tobias Finch in the woods, Henry is proactive—he approaches him, tells him the villagers' gossip, flirts with him, and even cares for him after Tobias is shot. Throughout the story, it’s Henry’s initiative that moves things forward, while Tobias mostly allows Henry to do as he pleases.

While this dynamic creates an interesting contrast between the characters, I found myself wondering what exactly motivated Henry to be so persistent in his interactions with Tobias. Was it genuine attraction? He certainly flirts with Tobias from their very first meeting, but his motivations don’t feel entirely clear. His eagerness seems to stem from more than just curiosity or attraction, but it’s hard to pinpoint exactly what that "more" is—there’s a sense of mystery about his motivations that the book doesn’t fully unpack.

As a character, I find Silver to be more engaging. I think the book will be more interesting if it was written from his perspective. He may have unclear motivations but at least, his actions propels the plot forward.

I remember around almost 70% of the first book and wondering if Henry getting kidnapped was all there is to it. Honestly, the story just lacks any "real" arc. It feels more like a fairytale that kind of meanders around the mansion and the cottage with no real direction. It’s slow-paced, and while that works for some fairytales, here it just felt like things were happening without much purpose. There’s no major character growth, no real conflict, and nothing that pushes the plot forward in any meaningful way. It’s more like a snapshot of moments than a story with an actual beginning, middle, and end. I was hoping for something with a bit more depth or development, but instead, it just kind of floats along without building to anything. It wasn’t bad, just... aimless.

Was the conflict enough to challenge Tobias? On paper, yes, it certainly presents challenges, but in practice, it feels more like an inconvenience rather than a deeply engaging conflict. Despite the supernatural elements surrounding him, Tobias remains largely unmoved, and there’s a notable lack of emotional depth as he faces these challenges. The story’s stakes don’t seem to push him to confront anything deeply personal or transformative. It’s not that Tobias doesn’t face difficulties, but more that they don’t evoke a strong reaction from him. That sense of passivity is understandable given his long life—he’s been around for centuries, and at a certain point, it's almost as though nothing fazes him anymore. It’s realistic, in a way, but it makes his emotional arc feel flat and underdeveloped. His character, for all his history and mystery, doesn’t evolve much throughout the story, which makes the conflict feel less compelling.

This lack of emotional engagement got me thinking about classic fairytales like "Little Red Riding Hood" or "The Three Little Pigs." Despite being short and simple, those stories still have a palpable sense of danger. The characters are forced to confront something threatening, and there's real tension in their actions. There’s a clear risk, a challenge that feels immediate, and a resolution that feels earned. In contrast, Silver in the Wood doesn’t build that same level of tension or urgency. The resolution of the story, when it comes, is rather anticlimactic. Tobias doesn’t undergo any major transformation, nor does he really confront anything that would lead to substantial personal growth. It feels as though the story simply winds down rather than building to a climax, and that lack of a powerful emotional payoff made the conclusion feel lacking.

In the end, while Silver in the Wood has its moments of charm and atmospheric beauty, it lacks the urgency and emotional depth that could have made the conflict feel truly challenging for Tobias. The stakes never quite feel high enough, and that’s a bit of a letdown, considering the mystical elements at play.

Ah, whimsical prose—my weakness! Emily Tesh's writing style is a strong point in this book. The pacing was just right, and her lyrical prose kept me engaged, even when the plot wasn’t moving at a fast pace. However, with the conflict and character arcs not gripping me as much as I’d hoped, I’m still on the fence about whether I should pick up the second book.

Overall, my experience with Silver in the Wood was a bit of a mixed bag. On one hand, Emily Tesh’s whimsical writing style is undeniably beautiful and atmospheric, which kept me engaged even when the plot felt slow or lacking in momentum. The pacing was just right, and I found myself absorbed in the world she created, despite not much happening on the surface. However, on the other hand, the character arcs and the conflict didn’t pull me in as much as I’d hoped. I really wanted to like this! However, Tobias, in particular, felt passive, and the resolution felt anticlimactic. The lack of a compelling character journey or a high-stakes plot made it hard for me to fully invest in the story. So, while I appreciated the writing and the atmosphere, I’m left torn about whether to continue with the series.

Silver in the Wood is a beautifully written, slow-burn story with a strong fairytale essence. The prose is lovely, and the atmosphere is enchanting, but I wanted a richer sense of place and history. The relationship dynamics may not work for everyone, but if you enjoy quiet, folklore-inspired tales with a touch of magic and you don't mind the age gap (between a 23-year-old and 400-year-old), you might want to give this one a try.

The plot picks up its pace from All Systems Red. To ensure the safety of the humans who placed their trust in Murderbot, it embarks on a quest to uncover the truth behind the massacred humans it was supposed to protect before being assigned to Dr. Mensah's team.

Although the plot is interesting, I have to remove two stars because of the pacing. I struggled to continue reading and was on the brink of abandoning the book, particularly during chapters two to four. Granted, the interactions between Murderbot and ART were cute, but three full chapters of this felt sluggish. My interest kept dwindling until about halfway through. After stalling for a little over a week, I decided that Murderbot's motivation was too intriguing to ignore. I really wanted to learn more about its past, what happens next and if it goes back again to meet Dr. Mensah, its favourite human. So, I decided to continue. The book did not compel my attention as I expected it to, but after it picked up the pace sometime around middle of chapter five, I was locked in.

As for the plot twist, I really liked how the story unfolded. It was well-executed, and although I probably should have seen it coming, I didn’t. Yes, I will be back for the third book: Rogue Protocol.

Murderbot's character development keeps getting better with each passing chapter. First, it shows autonomy by going on a mission to uncover the truth behind its purged memory. Then, Murderbot forms a bond with a self-aware transport, naming it ART (Asshole Research Transport), and they even watch soap operas together! Next, Murderbot learns the concept of trust and allows a stranger to perform surgery on it so it can appear more like an augmented human. Finally, Murderbot willingly interacts and cooperates with humans despite its reluctance and anti-social tendencies. This, in particular, is the reason I couldn’t put the book down. Murderbot's gradual humanisation of its emotions becomes more compelling with every page.

To reiterate what I said in my All Systems Red review, despite being a half-robot, half-human construct, Murderbot proves to be a relatable protagonist, which makes you want to root for it. I repeat, I am rooting for that Sanctuary Moon-loving, human-averse, self-aware bot to find itself and its happiness.

The purpose of this part is to evaluate the flow of conflicts throughout the book.

As far as Murderbot's conflict goes, this was the only one that kept me going even when I was getting bored. I was curious as to what secrets lay behind RaviHyral. I also liked the fact that, in order to find out the truth, there were very interesting obstacles that Murderbot had to overcome. As far as the conflict arc was concerned, the flow was a bit bumpy in the beginning, but the momentum picked up somewhere in chapter five, and it got better.

This part of the review evaluates whether the conflict or series of conflicts was sufficient to challenge Murderbot. As for the second book, this went one level further than the last book. Murderbot's internal conflict started in the last book, wherein it wanted to find out its past. In order to do so, it had to push its boundaries and adjust accordingly to its surroundings.

I would say not only were the series of conflicts Murderbot had to face in this book sufficient, but Murderbot surpassed these challenges with flying colors. Tackling a problem is one thing, but each of the obstacles Murderbot had to face forced growth and forged relationships that went beyond contracts.

The writing style remains stellar as the first book. Despite being set in a futuristic world, there is little information overload. Even as someone who is new to science fiction books, Martha Wells' effective worldbuilding continues to rely on a logical flow and highly intuitive tech jargon. It was easy to navigate. I like that the world extended to RaviHyral

The writing style when it came to side characters, no one really stands out. I am not sure if this is by design. One thing's for sure, I keep confusing one character over the other. When I was able to get to the point of not caring about who's who, it got easier to read. PreservationAux was not this confusing.

Although the ease of reading about Murderbot did not come easy to me on this book and it was not love at first paragraph, I still like this book. In fact, I was at the brink of abandoning this book but after a week or so of stalling, I was able to push through and finish this book. Murderbot's character growth and conflict was too good to DNF.

P.S.: Murderbot still sounds like Sheldon Cooper a.k.a Jim Parsons in my head.

I am giving this book 4 stars. I am taking away one star because I almost quit this book. However, if you're like me, who has added the entire Murderbot Series to your list and are invested in Murderbot as a character, you might want to give this book a chance. There is a new set of random people alongside Murderbot here. So, if you're looking for Dr. Mensah's team in the story, look elsewhere.

It's a short book. This book can be read in a day, as it is a fast-paced book. The first book is my benchmark for all my future sci-fi reads. It may not be as good as the first one but I still recommend this.

Draco Malfoy and the Mortifying Ordeal of Being in Love

Summary:

Hermione straddles the Muggle and Magical worlds as a medical researcher and Healer about to make a big discovery. Draco is an Auror assigned to protect her from forces unknown – to both of their displeasure.

Features hyper-competent, fiery Hermione and lazy, yet dangerous, Draco. Slow burn.

Love and Other Historical Accidents

Summary:

Hermione Granger and Draco Malfoy never intended to blow up their life's work, but that's rather what they've gone and done. Now they're trapped 200 years in the past, with a broken Time Turner, a missing snuff box, a handful of overly-eligible daughters, and a House-elf in a cable knit cardigan. It will require the combined power of their keen intellects to get them home, if they'd stop arguing long enough to use them.

As it turns out, history is just one damned accident after another.

For fans of Harry Potter, Jane Austen, and Connie Willis, a historical romantic comedy all about time, and getting the hell out of it.

The Trials and Tribulations of Draco Malfoy's Employment

Summary:

Draco Malfoy, for reasons that no one else fully understood, decided he required a job. A job that, in what he considered to be a horrifying state of affairs, left him partnered with a witch who was irritatingly attractive, frustratingly brilliant, unbearably interesting, and thoroughly Unimpressed by his existence.

Draco wished he could return to the time before he passed the curse-breaking exams with scores high enough to make him stuck with the swotty fuckable know-it-all, but now, with his unfortunate amount of competence and his unfortunate assignment, he finds himself sent out on alarmingly dangerous retrievals which are highly likely to result in his perfect face and perfect hair being marred.

Copious quantities of Arithmancy are engaged in, peacocks with fancy rich person names are tended to, and unreasonable amounts of unbearably expensive firewhisky are consumed.

A self-aware android that refers to itself as Murderbot openly admits its shortcomings as a heartless killing machine, preferring to watch TV shows over killing, captured my attention. The plot unfolds quickly, leaving almost no time for idling. Even when Murderbot is idle, watching episodes of Sanctuary Moon whenever it can, it is highly entertaining. The rise and fall of events consistently hold enough action and mystery to keep me anticipating what happens next.

As far as the plot twists go, none of my guesses were fully correct, but I liked that it kept me pausing and guessing. The worldbuilding is minimal but provides enough information for the reader to intuitively imagine the setting. I’m definitely reading the entire series. This book does NOT have enough chapters. Although I was able to guess the ending, I didn’t mind because the execution was solid.

Murderbot is a charming, unreliable narrator, and I was delighted to witness the evolution of its motivations. Initially, its goals are simple: to coast through the contract, doing the bare minimum while watching Sanctuary Moon, its favorite TV show, during its idle time in peace. However, as the plot unfolds, Murderbot embraces its autonomy, making its own decisions and developing its own opinions. What starts as a desire to avoid responsibility evolves into a relentless drive to protect the humans it initially claimed to despise.

As far as character development goes, Murderbot begins as an android who follows instructions selectively, but gradually shifts into someone who actively decides for itself and strives to find its own purpose. I like that by the end of the book, Murderbot has developed a newfound trust in the kindness of humans, becomes honest with its emotions, and even ends up having a favorite human. It’s a believable and satisfying character arc.

Murderbot’s internal conflict stems from its self-limiting belief that it hates humans and that the feeling is mutual. As a coping mechanism, it watches Sanctuary Moon, using the show as a way to avoid confronting its emotions. However, the overwhelming kindness of the PreservationAux team only makes Murderbot more uncomfortable. It also struggles with anxiety over hiding the fact that it has awareness, emotions, and opinions. This internal conflict is not only sufficient but also wholesome and at times, funny.

My favorite supporting character is Dr. Mensah, who imposes a strict rule for her team to respect Murderbot’s boundaries, which helps Murderbot to start trusting humans.

Eventually, a threat to PreservationAux’s safety forces Murderbot’s secrets into the open. I liked how the uncomfortable conversations between Murderbot and the team take place, building trust and allowing them to work as a cohesive team. This unity makes it possible for them to find out what happened with DeltFall and defend themselves against external forces trying to harm them.

Since Murderbot doesn’t naturally have the initiative to control its actions as it was built to follow commands, I appreciated how the plot drove both the internal and external conflicts toward resolution. Murderbot’s unreliable narration kept the tension high throughout, making sure it was almost always present from the start of the story.

Although Dr. Mensah's leadership plays a key role in resolving the conflict within PreservationAux, I really appreciated how she helped draw Murderbot out of its shell. The problems introduced in the story were more than enough to challenge Murderbot’s autonomy, testing its mental faculties and emotional limits, these challenges were crucial in reaching the resolution.

Navigating both the internal and external conflicts alongside Murderbot throughout the story was stressful at times, but it was that fun kind of stress, the kind that keeps you turning pages.

Additionally, the external threats to PreservationAux and Murderbot push the team to rely on each other’s skills and to trust in the power of friendship, of course. Ha!

The writing style is intriguing and held my undivided attention, serving as the key factor in maintaining my interest throughout the book. Despite being set in a futuristic world, there is no information overload. Martha Wells' effective worldbuilding relies on a logical flow and highly intuitive tech jargon.

Other than Dr. Mensah, none of the supporting characters stand out. I think this is by design and works well with the book, especially considering how short it is.

Also, despite being a half-robot, half-human construct, Murderbot proves to be a relatable protagonist, which makes you want to root for it.

This is not the type of book I usually pick up. For some inexplicable reason, the series title reeled me in. "Murderbot Diaries" had me wondering: "What is a murderbot? It sounds cute, like a robot vaccum cleaner. Is it as big as a robot vaccum cleaner? Why does it have a diary? Is the diary in a form of system monitoring logs?" Since I needed answers, I impulsively borrowed the eBook from our local library app, silently hoping it wasn’t a book filled with grotesque violence. I did not even bother reading the synopsis. As I am typing this, I realized that to expect "no violence" from a series that begins with "murder" is, without a doubt, unreasonable. Then again, I finished this entire book within a few hours. The delightful surprise is that the book has earned an slew of prestigious accolades, including the Alex, Hugo, Locus, and Nebula awards—so my high expectations will likely be met. Murderbot's character voice compelled my attention. Here is the first paragraph sealed the deal:

5 stars! I recommend this to anyone looking for a fast-paced book that can be read in a day. Whether you're a science fiction aficionado or this is your first adult science fiction book, it is an easy read. I don’t usually read science fiction, but I’m adding the entire series to my to-read list.

I cannot recommend this enough! This is now my benchmark for all my future sci-fi reads. It’s earned a bunch of awards for a reason!